Wednesday, April 15, 2009

Lyndon Wade

Images from Room 107 Series.










This guy is amazing. The whole engagement with a space of transit, one that is not purely public or purely private _ The hotel room _ is amazing. These images capture this transient nature really well through the use of exactly the same frame and set but with different actions/events/people within this frame. Its many snatches of a possible reality...does this happen? how would we know if it did or didn't??
These images resonate with sense of society's problems...the shotgun marriage, the dysfunctional wild children..violence, greed, power, sex...The spectacular glorification of these ideas is powerful in Wade's work. The beautiful lighting and saturated colours make us forget for a second what we are looking at...and what effect it has on us.

As the artist says : "This is were people come and leave; leave wet towels on the bathroom floor, leave half-full beer bottles on the nightstand, leave the bed unmade, hair on the toilet seat, stains on the ceiling, glitter in the carpet, holes in the wall, leave their wives, their lives, a mess for the morning maid. An after an hour, a day, a month, they leave all that they have left. And you check in."

Thursday, April 9, 2009

Daniel Crooks



Intersection No.4 (vertical volume)’
2008



Daniel Crooks
Static No.9 (a small section of something larger), 2005, still from DV/DVD (detail), 13:23 minutes

Daniel Crook's work deals with ideas of time and movement and there relationship to both photography and digital film making. These works are still shots from video installations where he has used custom mad equipment to capture many actions and events. He has then edited these together using a splicing technique (time splicing) What he creates are extremely multilayerd images that move and change...

Stephane Sednaoui

Rachel found this guy, uses a scanner camera system and combines it with an another image/

Link to an image of his: http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:jifexqu0ldde

Website: http://www.stephanesednaoui.com/

Tuesday, April 7, 2009

The Mysterious Man Himself


Henry Peach_Robinson
"Fading Away" 1858
List of things for shoots:

_Tarp
_Water, Fake blood
_gaffer tape
_bucket
_Models
_lighting rig - Need 2 snoots?
_flash slave
_extension cords
_circut breaker
_wireless power system (?)

The German

Olaf Martens...madman

also a mad blog i found:

blog.danpontingstudio.com/

http://blog.danpontingstudio.com/?paged=2
THIS GUY!! Lyndon Wade!!

Monday, April 6, 2009

The Perseus Project


Scary Self Portrait.
Nikon D3
50mm F1.8 Cropped
Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 New Zealand License.

Iv become more and more interested i the idea of the self portrait. An in particular its relationship to the photographic real ... and maybe the ideal image. This image simply appeared in my brain the other day and all came together in the studio today. I don't really have a reason yet... i just wanted to take this image... to capture it, do something with it/to it. fuck i dunno

Night Plane


Christchurch, March 29 2009.
Nikon D3, 50mm F1.8
Cropped

Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 New Zealand License.

Video/Photo/.Video/Photo



Images...Pulled off of a video shot using the wireless surveillance camera 'mounted' read:handheld) on the dashboard of a car. Self portraits are form setting up the unit and having it record whilst doing this. i have put them up as there is something kinda creepy about them. the colour and low quality creates a certain grotesque nature about them. I also added in the eye coverings on the last image...just to protect their identity...but again this goes back to the Black Bag Project from last year and the removal of identity...

How do these images relate to "truth"? do we believe these images more because there a photo?



I really like the movement captured in this one, the two figures are blurred shapes of grey, half looking towards the car/camera. It becomes almost abstract with this and the movements of the lights in the background.

Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 New Zealand License.

Links to Stuff

Image/Truth/photography Online Stuff:

http://akira.ruc.dk/~bruno/EPublikationer/Essays.Blurred/Blurred%20Chapter%201.html

http://www.jkiel.com/comm7180/kiel_pyramid.pdf

http://davidfriend.net/2009/02/digital_overdose.php

Also look at: Atta Kim and Hiroshi Sugimoto (theaters series)